It’s never too early to plan ahead — even as you shouldn’t wish your life away. I had a chance to readDesperation in Death while I recovered from hip replacement and it’s a fast-paced entry in the series that grabs you by the throat from the first. Which you’ll see in a minute.
The official description is as follows:
The place called the Pleasure Academy is a living nightmare where abducted girls are trapped, trained for a life of abject service while their souls are slowly but surely destroyed. Dorian, a thirteen-year-old runaway who’d been imprisoned there, might never have made it out if not for her fellow inmate Mina, who’d hatched the escape plan. Mina was the more daring of the two–but they’d been equally desperate.
Unfortunately, they didn’t get away fast enough. Now Dorian is injured, terrified, and wandering the streets of New York, and Mina lies dead near the waterfront while Lt. Eve Dallas looks over the scene.
Mina’s expensive, elegant clothes and beauty products convince Dallas that she was being groomed, literally and figuratively, for sex trafficking–and that whoever is investing in this high-overhead operation expects windfall profits. Roarke may be able to help, considering his ties to the city’s ultra-rich. But Roarke is also worried about the effect this case is having on Dallas, as it brings a rage to the surface she can barely control. No matter what, she must keep her head clear–because above all, she is desperate for justice and to take down those who prey on and torment the innocent.
It’s never too early to plan summer reading, is it? To whet your appetite a little, I’m pleased to present the excerpt from Nora’s summer book Nightwork, out May 24.
Here’s the official book description:
Harry Booth started stealing at nine to keep a roof over his ailing mother’s head, slipping into luxurious, empty homes at night to find items he could trade for precious cash. When his mother finally succumbed to cancer, he left Chicago—but kept up his nightwork.
Wandering from the Outer Banks to Savannah to New Orleans, he dons new identities and stays careful, observant, distant. He can’t afford to attract attention—or get attached. Still, he can’t help letting his guard down when he meets Miranda Emerson. But the powerful bond between them cannot last—because not all thieves follow Harry’s code of honor. Some pay others to take risks so they can hoard more treasures. Some are driven by a desire to own people the way they own paintings and jewels. And after Harry takes a lucrative job commissioned by Carter LaPorte, LaPorte sees a tool he can use, and decides he wants to own Harry.
The man is a predator more frightening than the alligators that haunt the bayou—and when he strongarms Harry into robbing a Baltimore museum, Harry abandons Miranda—cruelly, with no explanation—and disappears. But no matter what name he uses or where he goes, LaPorte casts a shadow over Harry’s life. To truly free himself, he must face down his enemy once and for all. Only then can he hope to possess something more valuable than anything he has ever stolen…
First, click HERE to see the cool cover reveal vid.
What’s Abandoned about you ask? Well here’s the official cover copy.
The woman’s body was found in the early morning, on a bench in a New York City playground. She was clean, her hair neatly arranged, her makeup carefully applied. But other things were very wrong—like the tattoo and piercings, clearly new. The clothes, decades out of date. The fatal wound hidden beneath a ribbon around her neck. And the note: Bad Mommy, written in crayon as if by a child.
Eve Dallas turns to the department’s top profiler, who confirms what seems obvious to Eve: They’re dealing with a killer whose childhood involved some sort of trauma—a situation with which Eve is all too familiar. Yet the clues suggest a perpetrator who’d be roughly sixty years old, and there are no records of old crimes with a similar MO. What was the trigger that apparently reopened such an old wound and sent someone over the edge?
When Eve discovers that other young women—who physically resemble the first victim—have vanished, the clock starts ticking louder. But to solve this case she will need to find her way into a hidden place of dim light and concrete, into the distant past, and into the cold depths of a shattered mind.
I know you’ve been waiting for a peek at The Becoming, book 2 of The Dragon Heart Legacy, and that time has come!
First, the official description:
The world of magick and the world of man have long been estranged. But some – like Breen Siobhan Kelly – can walk between the two. She has just returned to Talamh, with her friend, Marco, who’s dazzled and disoriented by this realm–a place filled with dragons and faeries and mermaids (but no WiFi, to his chagrin). In Talamh, Breen is not the ordinary young schoolteacher he knew her as. Here she is learning to embrace the powers of her true identity. Marco is welcomed kindly by her people–and by Keegan, leader of the Fey. Keegan has trained Breen as a warrior, and his yearning for her has grown along with his admiration of her strength and skills.
But one member of Breen’s bloodline is not there to embrace her. Her grandfather, the outcast god Odran, plots to destroy Talamh–and now all must unite to defeat his dark forces. There will be losses and sorrows, betrayal and bloodshed. But through it, Breen Siobhan Kelly will take the next step on the journey to becoming all that she was born to be.
I’m writing this post on Groundhog’s Day (though we’ve pretty much experienced THAT for 11 months, right?) and it looks like six more weeks of winter. But that doesn’t mean we can’t dream about reading under warm, sunny skies while sipping a cool beverage, right?
Unless, of course, you’re in the southern hemisphere and dream of cold days and warm cocoa.
Personally, I think Legacy (out May 23) fits the bill for any kind of reading experience and I’m pleased to share the first chapter.
The official cover copy reads:
Adrian Rizzo met her father for the first time when she was seven. It was the same day he nearly killed her mother, Lina.
A decade later, Adrian is as cool-headed and ambitious as her mother. They aren’t close, but they’re cordial as long as neither crosses the other. And then the vicious letters begin to arrive. While Lina dismisses the death threats as a routine part of her daughter’s growing celebrity, Adrian can’t help but find the vicious rhymes unsettling.
Year after year, they arrive with different postmarks, but the same menacing tone.
Sometimes it even seems like the terrifying messages are indeed routine, like nothing will come of them. Until the murders start, and the escalation begins.
Time for a first look at Faithless in Death! Here’s the official description:
The scene in the West Village studio appears to be classic crime-of-passion: two wineglasses by the bed, music playing, and a young sculptor named Ariel Byrd with the back of her head bashed in. But when Eve Dallas tracks down the wealthy Upper East Side woman who called 911, the details don’t add up. Gwen Huffman is wealthy, elegant, comforted by her handsome fiancé as she sheds tears over the trauma of finding the body―but why did it take an hour to report it? And why is she lying about little things?
As Eve and her team look into Gwen, her past, and the people around her, they find that the lies are about more than murder. As with sculpture, they need to chip away at the layers of deception to find the shape within―and soon they’re getting the FBI involved in a case that involves a sinister, fanatical group and a stunning criminal conspiracy.
Some of you may have noticed the release date is tweaked slightly from our original pub date. Faithless in Death will now be in stores on Feb. 9 (which is why we always say titles and dates subject to change).
Nora’s newest trilogy – The Dragon Heart Legacy – debuts with The Awakening, out November 24.
Here’s the official cover copy:
In the realm of Talamh, a teenage warrior named Keegan emerges from a lake holding a sword representing both power and the terrifying responsibility to protect the Fey. In another realm known as Philadelphia, a young woman has just discovered she possesses a treasure of her own.
When Breen Kelly was a girl, her father would tell her stories of magical places. Now she’s an anxious twentysomething mired in student debt and working a job she hates. But one day she stumbles upon a shocking discovery: her mother has been hiding an investment account in her name. It has been funded by her long-lost father and it’s worth nearly four million dollars.
This newfound fortune would be life-changing for anyone. But little does Breen know that when she uses some of the money to journey to Ireland, it will unlock mysteries she couldn’t have imagined. Here, she will begin to understand why she heard a voice in her head saying Come home, Breen Siobhan. It’s time you came home. Why she dreamed of dragons. And where her true destiny lies through a portal in Galway that takes her to a land of faeries and mermaids, to a man named Keegan, and to the courage in her own heart that will guide her through a powerful, dangerous destiny.
And now, you can read just a bit to get ready for November 24. You’ll find the excerpt here.
Fifty is a pretty hefty number, don’t you think? And Golden in Death meets that milestone extremely well.
Here’s the book jacket copy:
Pediatrician Kent Abner received the package on a beautiful April morning. Inside was a cheap trinket, a golden egg that could be opened into two halves. When he pried it apart, highly toxic airborne fumes entered his body—and killed him.
After Eve calls the hazmat team—and undergoes testing to reassure herself and Roarke that she hasn’t been exposed—it’s time to look into Dr. Abner’s past and relationships. Not every victim Eve encounters is an angel, but it seems that Abner came pretty close—though he did ruffle some feathers over the years by taking stands for the weak and defenseless. While the lab tries to identify the deadly toxin, Eve hunts for the sender. But when someone else dies in the same grisly manner, it becomes clear that she’s dealing with either a madman—or someone who has a hidden and elusive connection to both victims.